Summus es un término procedente del latín que describe la grandeza de algo. En nuestro caso, SUMMUS es la conferencia que celebra la grandeza de la música: un encuentro en el que expertos de la industria de la música de todas partes se reúnen para compartir experiencias, crear consenso sobre los retos actuales y diseñar el panorama futuro.
SUMMUS es un foro ideal para debatir y conocer en detalle propuestas y necesidades para la identificación y distribución de derechos utilizando herramientas de vanguardia.
Javier Asensio, Director regional América Latina en IFPI
Sede de SGAE (Passeig de Colom, 6, 08002 Barcelona)
SGAE HQ(Passeig de Colom, 6, 08002 Barcelona)
Desde el momento en que se concibe en un estudio, hay un largo camino hasta que una canción suena en un anuncio del descanso de la Super Bowl. Recorreremos todo el proceso que implica sincronizar canciones para anuncios y cubriremos áreas como la liquidación de derechos, documentación, informes de ventas y uso de música y el ciclo de los pagos de regalías.
Gordon Moore formuló en 1965 su propia ley que predecía que el número de componentes de cada circuito integrado se doblaría anualmente. Tenía razón. Actualmente los ordenadores son varios millones de veces más potentes de lo que eran en 1965 y se espera que la Ley de Moore siga cumplíendose durante muchos años. Cómo afectará esto a la industria de la música en los siguientes 20 años será el centro de esta discusión.
La digitalización trajo de su mano la licenciación directa y la implementación de medidas más transparentes por parte de las sociedades. Ahora, los propietarios de derechos ponen el foco en las actuaciones en directo y, con los acuerdos directos en aumento, las sociedades se ven de nuevo en la obligación de revisar y mejorar sus servicios. La discusión se centra ahora en cómo.
La nueva directiva europea de copyright está en proceso de aprobación en medio de un debate sobre la aplicación de los artículos 11 y 13. En este panel discutiremos cómo esta regulación puede afectar al ecosistema musical en la Unión Europea y las esperanzas y preocupaciones de los operadores y plataformas de nuestra industria en lo que respecta a su ejecución.
Bautizado igual que el especial del MIT sobre blockchain, la charla abordará la implementación de esta tecnología en el ciclo de resolución de problemas de cada industria. Antes de estudiar sus aplicaciones en el ámbito de la música, debemos estar seguros de que añade valor a su evolución y que es más que una cuestión de tendencias.
Bautizado igual que el especial del MIT sobre blockchain, la charla abordará la implementación de esta tecnología en el ciclo de resolución de problemas de cada industria. Antes de estudiar sus aplicaciones en el ámbito de la música, debemos estar seguros de que añade valor a su evolución y que es más que una cuestión de tendencias.
La música ha llegado a una era digital que está en constante cambio y plantea nuevos conflictos a los propietarios de derechos. Hablaremos sobre los más frecuentes y aquellos de más difícil resolución, así como la manera en que los distintos actores de la industria -DSPs, sellos, editoriales y CMOs- se unen para encontrar una solución.
Nick has a significant experience in global rights management and heads operations at Melos Publishing, a business focusing on music commissioned for use in commercials.
With over 10 years of experience in synchronising music to ads and audiovisual productions, Rémi has just enrolled into two new business ventures: EvenMore Rights (publishing administration and copyright tracking) and Mewo.io (SaaS for the music industry offering content management, distribution services, and artificial intelligence-based sync recommendation services).
Manager of the Distribution department at Sabam, Floris’s experience also includes the Documentation Department and the Licensing in the synchronization rights department where he used to moderate debates between users and rightsholders.
Head of Business Systems Innovation at Sony/ATV Music Publishing, Will is responsible for business applications worldwide including custom music search products and digital asset management systems. Will previously held the position of Head of Production and Distribution at EMI Production Music.
Synch & Licensing Manager at BMG (Spain & Portugal), Carmen has a wide experience in dealing with rights clearance, both publishing and master, as well as other areas of the publishing business.
Founder of the Orchard. Social Activist. Cyborg. And a vegan.
David Loscos is co-founder and director of IMB International Music Business School. As a training specialist for the music sector, he has created all kind of music business programs for universities, artistic colleges and CMOs. As a consultant, he has produced several reports and internationalization plans for sectoral and governmental organizations in Spanish speaking territories.
Director of Innovation and Partnerships at PRS for Music and board member of DDEX, Paul is a leading force in the development strategy of PRS for Music and its joint venture ICE (International Copyright Enterprise), as well as a multitude of other business partners.
Head of Distribution of Performing Rights at the GEMA, Peter has a working experience in the legal department of GEMA and prior to that he was a lawyer focusing on Copyright and Media Law with international law firms.
CDO at TEOSTO, Roope participated in setting up a platform for research and innovation using an agile and test-driven development approach. He is also the CEO of Mind Your Rights, a company which specialises in developing new digital solutions for music rights management.
VP of Operations at Unison, recently joined the company from her prior position as head of publishing at Blanco y Negro. She also teaches copyright and publishing at SAE Institute Barcelona and is currently finishing her law degree at UOC University.
Álvaro Díez is Deputy Secretary-General at Instituto Autor, a research organization founded by SGAE focused on copyrights. His responsibilities relate to analysis and advice on collective management of copyrights from legal and business approaches.
A practising lawyer in Barcelona, Enric is specialized in copyright and personal image rights, representing clients in different areas of the creative industries: music, film & TV, arts, publishing, sports and media. He is the author of several works on these subjects and teaches them as a professor in different courses and programs.
Director of Legal Policy and Licensing at IFPI, Patrick Charnley is coordinating the global recorded music industry’s campaigns to secure adequate legal frameworks to support fair markets and working to grow performance rights revenues for record producers worldwide. Prior to joining IFPI, Patrick worked in the intellectual property departments of two international law firms, advising clients across the music and entertainment industries.
Head of Legal at Epidemic Sound -a global music company with a mission to deliver music without limitations around the world-, Caroline has a previous experience also as a Head of Legal and Business Affairs Nordics at Viacom and before that used to work at Mannheimer Swartling law firm in Stockholm.
Global Music Publishing lead at Technology Solutions, YouTube, Greg’s team supports collection societies and music publishers and implements licenses globally.
David Loscos is co-founder and director of IMB International Music Business School. As a training specialist for the music sector, he has created all kind of music business programs for universities, artistic colleges and CMOs. As a consultant, he has produced several reports and internationalization plans for sectoral and governmental organizations in Spanish speaking territories.
Composer and producer for Luis Fonsi, Alexandra Stan, Alejandro Sanz, Pablo Alborán, David Bisbal, Eurovision, Disney, La Marató de TV3, etc, Jordi Cubino has more than 22 million of records sold in the last 30 years.
Senior Counsellor of the Copyright Law Division of the Copyright and Creative Industries Sector at WIPO, Geidy’s responsibilities at the International Bureau relate to the development of international treaties and their implementation into national laws, including digital matters and copyright.
A musician and composer of soundtracks for film, dance and advertising, in 2015 Jesús Díaz creates Music In Silence, a musical strategy company. Since then he has made soundtracks for renowned films such as the multi-award winning "The Debt" starring Stephen Dorff and Alberto Ammann, as well as music for ads for brands such as Audi, Desigual or Volskwagen.
A pianist, composer and musical arranger, Sergio Vainikoff has studied the impact of new technologies on intellectual property, which has placed him in distinguished legal and academic forums at the national and international level.
Currently consulting for leading blockchain company Blockpool, sample-clearance platform Tracklib and Media Markt's Juke streaming service in Spain, a 'semi-retired' artist himself, Jeff Bacon helps business to understand music and music to do better business, with a focus on best-in-class tech that enriches the fan experience, advances the industry or makes life easier for creators.
Founder at Resonate, Peter is actively contributing to groups and initiatives seeking to create a blockchain-based standard for music metadata and licensing.
COO and Director of Music Division at SIAE, Matteo considers himself a true digital all-rounder, and he is first and foremost an ambassador of customer needs. He feels that lasting success can only be achieved by genuinely involving customer behaviour.
Innovation lead within APRA AMCOS’ Research & Development team and Electronic Music Specialist for Writer Services, Frank is also the driving force behind the implementation of music recognition technology in nightclubs and festivals throughout Australia and New Zealand - developing more effective ways to distribute royalties to publishers and songwriters of electronic and dance music.
COO at ACINPRO, Angela is devoted to conflict resolution via conciliation, she implemented the double and multi-claim solution process.
Global Music Publishing lead at Technology Solutions, YouTube, Greg’s team supports collection societies and music publishers and implements licenses globally.
SVP, Global Rights and Society Relations at UMG, during his more than 30 years experience in Music Rights Management, Neil has worked across all sectors of the Industry and is now working with IFPI and the Neighbouring Rights organisations across the world to further develop the industry’s infrastructure for the digital age and deliver increased revenues for Universal’s labels and creators.
Director of Innovation and Partnerships at PRS for Music and board member of DDEX, Paul is a leading force in the development strategy of PRS for Music and its joint venture ICE (International Copyright Enterprise), as well as a multitude of other business partners.
Summus es un evento organizado por BMAT
que tendrá lugar el 29 y 30 de octubre en: Passeig de Colom, 6, 08002 Barcelona